Footnote director interviewed

Did you have any model for the kind of film you were trying to make?

It’s a film that can’t be compared to anything. While we were preparing the shoot, we decided that the way the father character sees the world—in extreme detail, the way a philologist looks at a text—was the way we were going to look at the story. Extremely subjectively and not considering the larger context. My previous films had left me with a lot of ideas that I didn’t know how to fit into the story; that’s the way narrative films are. Because of the style of this film, its flexibility, anything that was important to the story found its way onto the screen.