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Pre-Order the Special Edition of the Facade and Get a Sneak Peek at the Sequel

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Today marks the release for pre-order of the special edition of my paranormal-supernatural thriller, The Façade. The novel includes some ancient astronaut threads, and the sequel will pick up them as well. The special edition published by Kirkdale Press contains some great bonus content:

  • Behind The Façade: A look into how and why I wrote The Façade.
  • Resources for Further Study: An annotated bibliographic guide to the government documents, covert military programs, religious ideas, and UFO controversies that are part of the plot of The Façade.
  • The first five chapters of the highly-anticipated sequel!

The special edition is freshly edited and formatted for your ereader, mobile phone, tablet, and computer. Click here for a synopsis. Readers get 25% off when they pre-order it on Vyrso.

I’ll be revealing a hint about the sequel’s title tomorrow on the blog. Be the first to guess correctly and you’ll get a free copy of The Façade: Special Edition.

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Sayles: Dealing With the Devil

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Wayne Sayles has a blog article  ('Candi Dunlap Arrest' October 23, 2012) mainly one feels to advertise the fact that he's spoken to a journalist writing about the Dunlap case. The main subject of his post however is that the Macedonian News Agency article mentioning the Dunlap story has some generic stock photos of coins rather than a photo of the several hundred coins the woman reportedly had in her baggage as she left the country. He calls the article "blatantly false" and attributes that to the ill will of the Macedonian people. But then his accusation is based on his interpretation "the reader might naturally assume that they represent two of the coins seized from Candi Dunlap". It is not clear why he comes to that conclusion when the rest of us can see that the article in question discusses TWO separate recent cases both involving Americans. 

Sayles calls Mrs Dunlap's attempt to leave the country with a series of ancient dugup objects (256 ancient coins, two pendants and two pots) a "faux pas", but the Macdonians "malicious" and "heartless" for daring to hold her accountable for her activities. He alleges that the foreign border controls are done "in the interest of nationalist government control" (not like border controls in the US which obviously he regards as in the interest of... something else presumably). Sayles asserts that the artefacts which were seized as Dunlap tried to take them out of the country are "merely ubiquitous utilitarian objects":
The tedious claim of myopic cultural property nationalists that everything old is a precious resource does not stand up very well in the light of day [...]    It is entirely possible that Candi Dunlap is an unwitting and unfortunate victim in the ever growing cultural property war. 
No, she is a victim of an entirely arrogant approach to the laws of the country in which she was a guest. Checking the regulations about what she can take into and out of the country and do while she is there are her responsibility. That she quite clearly and irresponsibly did not do that is puttng a lot of people to a great deal of trouble.

Sayles is always among the first to criticise "corrupt" foreign governments, so I am sure he'd not really want to see the young Macedonian Post-Communist democracy applying the law one way for one person, but another for somebody else who happens to have influential people behind her. That is the very definition of a corrupt system. Dura lex sed lex, unless yermerkin?   Sayles concludes:
One would hope that justice will prevail and the tribulations already endured by Candi Dunlap will be sufficient redress for what can hardly be classified as a great crime against the people of Macedonia. 
As a dealer he contests the notion that the coins are considered of considerable value by those from whom Mrs Dunlap was intending to take them. As a dealer he sees them as worth only a few dollars apiece. But then, is everything measured in money? 

Finally in what he writes, Sayles is entirely inconsistent to the vision of the world the ACCG portrays - according to this, the US Department of State is the willing instrument of the World Conspiracy against collectors, the very den of the Devil, pandering to the whims and dictates of the Radical Archaeologists ["hisss"]. In that case, why is he not predicting that the State Department is going to stand by the principles of the "cultural property nationalism" he accuses them of supporting and do nothing to obtain the release of Cindi Dunlap? He says nothing of the kind, which suggests to me that he does not really believe the junk-arguments the ACCG puts out to rile-up dullard, gullible and receptive coin collectors.

There is of course an interesting possibility which Sayles does not mention. The archaeological sites of Macedonia are frequently heavily damaged by looting (pillage). Was the offer of a favourable reception of an application for a cultural property MOU with Macedonia on the table in order to secure this lady's homecoming? If so, it will be interesting to see how the ACCG react to that. A goodly lot of ancient coins were minted and used in ancient Macedonia.

 

Researchers ‘closer than ever’ to cracking 5000 year old writings

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New technology has allowed researchers to come closer than ever to cracking the world’s oldest undeciphered writing system.

Researchers from the University of Oxford and the University of Southampton have developed a Reflectance Transformation Imaging (RTI) System for Ancient Documentary Artefacts to capture images of some of the world’s most important historical documents. Recently this system was used on objects held in the vaults of the Louvre Museum in Paris.

These images have now been made available online for free public access on the Cuneiform Digital Library Initiative website.

Among the documents are manuscripts written in the so-called proto-Elamite writing system used in ancient Iran from 3,200 to 3,000 BC and which is the oldest undeciphered writing system currently known. By viewing extremely high quality images of these documents, and by sharing them with a community of scholars worldwide, the Oxford University team hope to crack the code once and for all.

Dr Jacob Dahl, a co-leader of the Cuneiform Digital Library Initiative and a member of Oxford University’s Faculty of Oriental Studies, said: ‘I have spent the last ten years trying to decipher the proto-Elamite writing system and, with this new technology, I think we are finally on the point of making a breakthrough.

‘The quality of the images captured is incredible. And it is important to remember that you cannot decipher a writing system without having reliable images because you will, for example, overlook differences barely visible to the naked eye which may have meaning. Consider for example not being able to distinguish the letter i from the letter t.’

The reflectance transformation imaging technology system designed by staff in the Archaeological Computing Research Group and Electronics and Computer Science at the University of Southampton comprises a dome with 76 lights and a camera positioned at the top of the dome. The manuscript is placed in the centre of the dome, whereafter 76 photos are taken each with one of the 76 lights individually lit. In post-processing the 76 images are joined so that the researcher can move the light across the surface of the digital image and use the difference between light and shadow to highlight never-before-seen details. ‘We have never been able to view documents in this quality before,’ Dr Dahl explained.

Dr Dahl believes this writing system might be even more interesting than previously thought. He said: ‘Looking at contemporary and later writing systems, we would expect to see proto-Elamite use only symbols to represent things, but we think they also used a syllabary – for example ‘cat’ would not be represented by a symbol depicting the animal but by symbols for the otherwise unrelated words ‘ca’ and ‘at’.

‘Half of the signs used in this way seem to have been invented ex novo for the sounds they represent – if this turns out to be the case, it would transform fundamentally how we understand early writing where phonetecism is believed to have been developed through the so-called rebus principle (a modern example would be for example “I see you”, written with the three signs ‘eye’, the ‘sea’, and a ‘ewe’).’

Some features of the writing system are already known. The scribes had loaned–or potentially shared–some signs from/with Mesopotamia, such as the numerical signs and their systems and signs for objects like sheep, goats, cereals and some others. Nevertheless, 80-90% of the signs remain undeciphered.

The writing system died out after only a couple centuries. Dr Dahl said: ‘It was used in administration and for agricultural records but it was not used in schools – the lack of a scholarly tradition meant that a lot of mistakes were made and the writing system may eventually have become useless as an administrative system. Eventually, the system was abandoned after some two hundred years.’

Dr Dahl joked: ‘This is probably the world’s first case of a collapse of knowledge because of the under-funding of education!’

The Louvre gave the researchers access to the about 1100 proto-Elamite tablets in its collections, half of which can now be viewed on the Cuneiform Digital Library Initiative website.

Dr Dahl said: ‘The Louvre collection of early writing from Mesopotamia and Iran is incredibly important – it contains the first substantial law code, the first record of a battle between kings, the first propaganda, and the first literature. Being able to put these documents online would be a great achievement.’

Dr Dahl says making important documents from early human history publicly accessible is becoming increasingly important, both as a consequence of the ever-expanding influence of cyberscholorship in academic research, but also in many cases more pressingly as a matter of cultural heritage preservation in areas of the world threatened by armed conflict and collapse of security. ‘Iraq’s cultural heritage has been pillaged in the last 20 years, and the situation in neighbouring Syria is looking dire as well.’

Source: University of Oxford

Atlas des oppida

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Notre collègue  Gilles Pierrevelcin, avec la collaboration de Bertrand Bonaventure, Clément Féliu, Stefan Fichtl et Marco Schrickel, vient de publier l‘Atlas des oppida dans la collection Les plus grands sites gaulois.  Archéologie Vivante.

Les fermes, les villes et les capitales occupaient l’ensemble du territoire, la Gaule était prospère. Si les objets qui sont parvenus jusqu’à nous remplissent les musées, le fait que les Gaulois construisaient en bois et en terre explique qu’ils n’ont laissé aucun monument émergeant du sol. Seuls les lieux où leurs villes s’étaient implantées restent visibles aujourd’hui.
Un inventaire des plus grands oppida permet de découvrir ces sites évocateurs de la puissance de peuples qui dominèrent de grandes régions.

Format : 22 x 28 cm, 144 pages – Cartonné
plus de 280 photographies en  couleur, 28 €

 

Filiation et réécriture des Métamorphoses

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Titre: Filiation et réécriture des Métamorphoses
Lieu: Institut Cervantes / Lyon
Catégorie: Colloques, journées d'études
Date: 25.10.2012 - 26.10.2012
Heure: 09.00 h - 17.30 h
Description:

 

Information signalée par Marie-Karine Lhommé

 

Filiation et réécriture des Métamorphoses dans les lettres européennes

 

Jeudi 25 octobre

13h45 : accueil des intervenants
14h00 : ouverture du colloque
Madame la Vice-Présidente de l'Université Lumière Lyon 2,
Isabelle Lefort
Monsieur le Directeur du Département des Langues Romanes,
Philippe Meunier
Madame Nathalie Dartai-Maranzana,
Présidente de C.R.I.S.O.L. 16/17, organisatrice du colloque

Les questions et discussions sont prévues après chaque intervention

« Métamorphose(s) et spiritualité »
Présidence : Nadine Ly

14h30 : Rafaèle Audoubert
« D'Ovide à Quevedo : métamorphoses et punition divine en poésie »
15h00 : Suzy Béramis
« La métamorphose de Narcisse (Garcilaso et Jean de la Croix) »
15h30 : Philippe Rabaté
« Métamorphoses, anomalies, discours naturel et philosophie morale des miscellanées humanistes au Criticón : prolégomènes à l'esquisse d'une morale ? »
16h00 : pause

« Métamorphose(s) : étrangeté et merveilleux »
Présidence : Didier Souiller

16h20 : François Delpech
« La métamorphose marine de Cola Pesce : mythe, folklore, littérature »
16h50 : Pascaline Nicou
« La réécriture des mythes ovidiens : une poétique de la surenchère »
17h20 : Fernando Copello
« Sur un texte de Diego Rosel : à propos de tortues, de métamorphoses et de sensualité (Naples, 1613) »
20h00 : repas au restaurant pour les intervenants au colloque

Vendredi 26 octobre

9h15 : accueil des intervenants

« Métamorphose(s) et inventio »
Au théâtre

Présidence : Nathalie Dartai-Maranzana

9h30 : Alexandre Roquain
« Le mythe du Phénix dans le théâtre de Lope de Vega ou les métamorphoses du temps »
10h00 : Isabelle Rouane-Soupault
« La métamorphose d'Anaxarète : des réminiscences et une omission dans quelques comedias de femmes dramaturges »
10h30 : Yves Germain
« “Yerra obedeciendo”, Narcisse et Écho relus par Calderón »
11h00 : pause
11h15 : Assemblée Générale annuelle de C.R.I.S.O.L. 16/17
12h30 : repas-buffet à l'Institut Cervantès de Lyon

« Métamorphose(s) et inventio »
Dans la prose

Présidence : Anne Cayuela

14h00 : Philippe Meunier
« L'histoire cervantine de Ruperta, la veuve noire, ou comment détourner la fable apuléenne et ovidienne (chapitres XVI-XVII du Livre III du Persilès de Cervantès) »
14h30 : Gabriele Bucchi
« “Les dieux en loques” : comique et satyre dans Gli dei pezzenti d'Antonio Abati (1651), une parodie de Philémon et Baucis »
15h00 : Jean-François Lattarico
« Ovide Incognito. La réécriture du premier livre des Métamorphoses de Francesco Pona (1618) »
15h30 : pause

« Métamorphose(s) et inventio »
En poésie

Présidence : Philippe Meunier

16h00 : Muriel Putinier-Elvira
« La réécriture de passages des Métamorphoses d'Ovide dans les Soledades de Góngora »
16h30 : Nadine Ly
« La double métamorphose de Polyphème dans la “Fábula de Polifemo y Galatea” de Góngora et d'autres textes »
17h00 : clôture du colloque

Contact/info
Nathalie.Dartai@univ-lyon2.fr
http://recherche.univ-lyon2.fr/passagesXX-XXI/



Source : Passages XX-XXI

 

Breaking: Intact Rooms from Rione Terra

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The Italian press is just beginning to percolate with the news of the discovery of five intact rooms of a structure, with frescoes on the walls, which had been hidden behind a walled up door in Rione Terra. It seems to date from the first century B.C. … so far the photos aren’t that enlightening and the news has been brief, but if you want to check it out (in order of detail and/or relevant photography):


Dealers in a bid to Overturn Legal Ruling that New York Salerooms MUST Reveal Consignors’ Names to Buyers.

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This one's a cracker: Roland Arkell, 'Shock ruling to reveal names of consignors', Antiques Trade Gazette 23 October 2012. You will probably not see this one on the Lobbyist's "Cultural Property Observer" tonight.
Rejecting the claim that New York's auctioneers follow common practice when preserving the anonymity of their clients, the Supreme Court said last month that a binding auction contract in the state must include the name of both buyer and seller. The shock September 19 ruling delivered by Justice Peter B. Skelos of the Supreme Court of the State of New York, Appellate Division was prompted by an otherwise 'routine' legal action brought by Chester, New York saleroom William J. Jenack against a buyer who declined to pay his bill [...] the case took a less orthodox route when Rabizadeh took the court's decision to appeal and argued that the auction house had lacked the proper documents to demand payment. His argument was based on the letter of the General Obligations Law, the statute covering contracts between buyers and sellers in New York, which says a legally recognised contract must include the names of both parties.
The auction house had only included the informtion that the seller was the number "428" (a number they assigned themselves which they claim is "is common practice"). The judge disagreed.
While it may be true that auction houses commonly withhold the names of consignors, this court is governed not by the practice in the trade, but by the relevant statute.... In that regard, the statute clearly and unambiguously requires that the 'name of the person on whose account the sale was made'... be provided in the memorandum."
This ruling has some pretty important wider implications for the whole no-questions-asked antiquities market. It means auction houses will no longer be able to keep the names of consignors secret. This in turn means that the old argument that the collecting history has been lost can no longer be believed by those who want to shut their eyes to freshly "surfaced" (from "underground") material, in future, the documentation would be there or the transaction would have been illegal. So, as Roland Arkell drily remarks,...
The potential effects of the ruling were not lost on Christie's, who have joined Jenack in the appeal process to have the ruling overturned. Christie's declined to comment on the matter at this stage. 
Well, after all, what could they say? The ACCG are very quiet about it too.

But of course this does not apply just to New York auction houses, does it?

Hat tip to Kyri with thanks.

“Biblical Parenting” and Parental Images of God

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David Hayward has a cartoon today that gets at the heart of an issue many of us have with the depiction of God in some Biblical stories as well as elsewhere:

We would be horrified if human parents did these things, and yet few seem to reflect on the sort of impression they give of God when they depict God along these lines – the allusions of course being to the story of Noah and the concept of hell.

This was my point in my post about not worshiping a God who is less loving than you are. What we are talking about are human depictions of God. Unless you view God as genuinely morally abhorrent, then you should not attribute to God views or actions that you would consider worthy of condemnation in humans.

That would seem obvious, but to many it isn’t. And of course, the irony is that those who claim to be most beholden to Biblical imagery, and say that any compromise on Biblical authority represents an abandonment of the “one source of objective morality,” then have to bend over backwards to avoid the impression given in Biblical passages such as those in view in the cartoon.

It is better, I think, to acknowledge that whether the images used come from ancient authors or our own time, they will all be by definition inadequate and laden with human shortcomings, and to then do our best to avoid projecting our own narrow perceptions and our worst failings and shortcomings onto God.


New Open Access Article- MIDDLE WOODLAND DOMESTIC ARCHITECTURE...

Donald Trump’s Big Reveal

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If you are among those who have been waiting for the big reveal that Donald Trump promised he would offer about Barack Obama at noon today, he’s done it.  What he revealed is that he (i.e. Trump) still wants to see Obama’s birth certificate and other records.

Seriously. That’s his “big news.” In my opinion, the news that Nicholas Cage might be in a reboot of Left Behind was more exciting.

See his video and press release below – but don’t expect them to live up to the hype.

Click here to view the embedded video.

£31,000 Shortfall in Hoard Reward Stash

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A couple of metal detectorists do not look like getting the state handout they were expecting for digging up a hoard on historic Bredon Hill last October ('£9,000 raised for coin hoard', Cotswold Journal 23rd October 2012). A year into fund-raising, a campaign to raise cash so the hoard can be displayed glittering in the local museum has raised nearly £9,000. Museums Worcestershire has to raise the £40,000 needed to acquire, conserve and display the hoard in just two months, or it will be handed back to the finders and the landowner who will have to flog it off on the open market to raise the cash they want for it. that will pleasse coin collectors immensely who are looking forward to more such windfalls as cash-strapped cultural institutions can no longer afford the luxury of financing the metal detectorists' hobby by relatively indiscriminately buying up anything that glitters.  The article goes on to say:
Donations can be made online at charitychoice.co.uk/worcestershire-hoard/ [...]
So, supporting metal detecting has now become a CHARITY in England? Whatever next? I can think of a whole load of better uses for charity money than paying for another tekkie's sunshine holiday or flashy gas-guzzling sports car, or whatever it is they spend the dosh on (another survey the fluffy bunny brigade could do - "what did you spend your treasure reward on"?).

When are we going to put a STOP to this cash-guzzling erosive abuse of the archaeological record?

[And to make matters even more interesting: "Ads by Google" right slap-bang in the middle of that page of the Cotswold Journal of all places when I looked at it was:
Gadoury coins auction
republic[an] and imperial roman coins
sale of aureus denarius sestertius [indeed, multiple examples]
auction.gadoury.com
That's in Monaco. Maybe they'll want to take the Bredon Hill Hoard coins? Not likely, from what they currently have on offer it looks like they prefer coins with no stated collecting history or provenance. I'm hoping at those prices that the several apparent 'soapies' are an artefact of the apallingly bad lighting of some of the photography].

Museum Funding Conundrums: Tom Campbell of Metropolitan Museum Leads All-Star Cast (with video)

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Left to right: Mariët Westermann, Thomas Campbell, Maxwell Anderson, Ari Wiseman, James Bildner, Melissa ChiuPhoto by Lee RosenbaumA self-acknowledged New York-centric panel of major museum officials and experts in cultural philanthropy engaged last night in an illuminating, wide-ranging discussion pegged...

Exhibition at the Musée de Picardie: “Le Temps des Romains: perception, mesure et instrument” 27 October 2012 until 24 March 2013

Indiana Jones and the Sacred Baby-Walker

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There is some debate about whether there will be a 5th Indiana Jones movie, but IO9 recently shared a neglected sacred item that would be worth of the adventurer’s next quest – especially if by that stage he is so elderly that he himself needs a walker!

I love this part of the piece at IO9: “But can you combine the sacred baby walker Voltron style with the Spear of Destiny and the Holy Grail to build a prayer-powered F-15? That is the real question.”

There’s more information about the piece of art on the web site of the University of California, Davis.

Partially Open Access Journal: Archéo-Nil: Revue de la société pour l'étude des cultures prépharaoniques de la vallée du Nil

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Archéo-Nil: Revue de la société pour l'étude des cultures prépharaoniques de la vallée du Nil (Partial content)
ISSN: 1161-0492

Partial content of out of print volumes is available as follows (with TOC and ordering information for all volumes)
Archéo-Nil 0 (1990) épuisé
Éditorial
Béatrix Midant-Reynes

Archéo-Nil 1 (1991) : « Le masque » épuisé
Éditorial
Béatrix Midant-Reynes

Archéo-Nil 3 (1993) : « Lectures de l’espace figuratif dans l’Égypte ancienne » épuisé
Introduction
Béatrix Midant-Reynes
Identification d'un potier prédynastique
Alexandre Livingstone Smith

Archéo-Nil 4 (1994) : « La gestion de l’eau dans l’Égypte ancienne » épuisé
Introduction
Béatrix Midant-Reynes

Archéo-Nil 5 (1995) : « L’eau et le pouvoir » épuisé
Introduction
Béatrix Midant-Reynes
La tête de massue du roi Scorpion
Patrick Gautier et Béatrix Midant-Reynes

Archéo-Nil 8 (1998) : « El Adaïma » épuisé
Introduction
Béatrix Midant-Reynes


Open Access Journal: Deutsches Archäologisches Institut, Abteilung Kairo, Rundbrief

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Deutsches Archäologisches Institut, Abteilung Kairo, Rundbrief
Das 1907 gegründete Deutsche Institut für Ägyptische Altertumskunde wurde 1929 dem Deutschen Archäologischen Institut angegliedert. Seit 1957 ist die Abteilung in einer 30er-Jahre-Villa im Stadtteil Zamalek untergebracht.  Founded in 1907, the Deutsche Institut für ägyptische Altertumskunde became affiliated with the Deutsches Archäologisches Institut in 1929. Since 1957 the department is situated in a villa in Cairo-Zamalek.  

1950

1960

1957 ( PDF 461 KB)1964 ( PDF 1.24 MB)
1966/1 ( PDF 691 KB)
1966/2 ( PDF 1.04 MB)
1969 ( PDF 1.7 MB)

1970

1980

1970 ( PDF 1.65 MB)
1973 ( PDF 1.28 MB)
1974 ( PDF 628 KB)
1975 ( PDF 1.13 MB)
1976 ( PDF 340 KB)
1977 ( PDF 1.88 MB)
1978 ( PDF 2.34 MB)
1979 ( PDF 3.86 MB)
1980 ( PDF 2.58 MB)
1981 ( PDF 7.89 MB)
1982 ( PDF 4.27 MB)
1983 ( PDF 4.31 MB)
1984 ( PDF 3.80 MB)
1985 ( PDF 2.92 MB)
1986 ( PDF 2.85 MB)
1987 ( PDF 3.05 MB)
1988 ( PDF 3.07 MB)
1989 ( PDF 4.67 MB)

1990

2000

1990 ( PDF 2.05 MB)
1991 ( PDF 4.0 MB)
1992 ( PDF 3.72 MB)
1993 ( PDF 4.42 MB)
1994 ( PDF 3.38 MB)
1995 ( PDF 2.30 MB)
1996 ( PDF 3.06 MB)
1997 ( PDF 3.06 MB)
1998 ( PDF 2.81 MB)
1999 ( PDF 1.63 MB)
2000 ( PDF 2.63 MB)
2001 ( PDF 4.74 MB)
2002 ( PDF 650 KB)
2003 ( PDF 930 KB)
2004 ( PDF 1.0 MB)
2005 ( PDF 1.7 MB)
2006 ( PDF 4.5 MB)
2007 ( PDF 3.4 MB)
2008 ( PDF 5.08 MB)
2009 ( PDF 3.8 MB)

2010

2010 ( PDF 3.8 MB)
2011 (PDF 3.8 MB)
 

How scientists recreated Neanderthal man

Neanderthal vs. Homo sapiens: Who would win in a fight?

Explaining the Neandertal admixture paradox via long-running but very infrequent admixture

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This seems like an interesting theory that might explain two facts that do not appear to gel well with existing models of a single (or few) short and intense periods of admixture during Out-of-Africa. These are:
  • The complete absence of archaic Eurasian Y chromosomes and mtDNA in the modern human gene pool
  • The fact that Neandertals did not appear to have gotten morphologically more different than modern humans over most of their late history, but rather the opposite, they became ever-more similar to modern humans
It would also have three added benefits:
  • it would be a very natural consequence of my favored scenario that modern humans (living probably in northern and eastern Africa) had Neandertal neighbors living in the Near East and southern Europe from which they were separated by geographical barriers, making admixture likely but not routine. The authors consider the idea that the admixture took place in the Near East, and even if some of it did not, I'd say most of it must have taken place there, since that is where maximal evidence of temporal co-existence between the two demes exists.
  • it would not require an unlikely scenario of large-scale hybridization between very divergent demes: occasional gene flow could still occur, and could spread adaptations back and forth (explaining the phenotypic non-divergence), but the tendency of people to marry those like themselves (homogamy) would be preserved. 
  • It would be consistent with the re-writing of Out-of-Africa thanks to the halving of the autosomal rate. This would necessitate an early OoA and thus a longer occupation of parts of Asia by both sapiens and Neandertals.during which they may have occasionally interbred. So, not only were modern humans and Neandertals neighbors in Asia, but modern Eurasians are not descended from a fresh ~50ka Out-of-Sub-Saharan Africa expansion that would have rendered these long neighborly relations in the Near East irrelevant.
Note that this does not appear to be inconsistent with recent dating of the modern human-Neandertal admixture by Sankararaman et al. since that involved only the latest period of admixture. It is also not inconsistent with the idea that archaic African admixture may be contributing to the D-statistic evidence for non-African/Neandertal similarity, since, presumably, modern humans could experience low-level gene flow both with their northern Neandertal neighbors, and their southern archaic African ones.

So, all in all, I'm fairly sympathetic to this model, and I'd be interested to see how it is received by experts in this field.

PLoS ONE 7(10): e47076. doi:10.1371/journal.pone.0047076

Extremely Rare Interbreeding Events Can Explain Neanderthal DNA in Living Humans

Armando G. M. Neves, Maurizio Serva

Considering the recent experimental discovery of Green et al that present-day non-Africans have 1 to 4% of their nuclear DNA of Neanderthal origin, we propose here a model which is able to quantify the genetic interbreeding between two subpopulations with equal fitness, living in the same geographic region. The model consists of a solvable system of deterministic ordinary differential equations containing as a stochastic ingredient a realization of the neutral Wright-Fisher process. By simulating the stochastic part of the model we are able to apply it to the interbreeding ofthe African ancestors of Eurasians and Middle Eastern Neanderthal subpopulations and estimate the only parameter of the model, which is the number of individuals per generation exchanged between subpopulations. Our results indicate that the amount of Neanderthal DNA in living non-Africans can be explained with maximum probability by the exchange of a single pair of individuals between the subpopulations at each 77 generations, but larger exchange frequencies are also allowed with sizeable probability. The results are compatible with a long coexistence time of 130,000 years, a total interbreeding population of order individuals, and with all living humans being descendants of Africans both for mitochondrial DNA and Y chromosome.

Link

Smarthistory

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Smarthistory
http://smarthistory.khanacademy.org/common/images/logo-smarthistory2.gif
Smarthistory.org is a free, not-for-profit, multi-media web-book designed as a dynamic enhancement (or even substitute) for the traditional art history textbook. Dr. Beth Harris and Dr. Steven Zucker began smARThistory in 2005 by creating a blog featuring free audio guides in the form of podcasts for use in The Museum of Modern Art and the Metropolitan Museum of Art. Soon after, we embedded the audio files in our online survey courses. The response from our students was so positive that we decided to create a multi-media survey of art history web-book. We created audios and videos about works of art found in standard art history survey texts, organized the files stylistically and chronologically, and added text and still images. 

We are interested in delivering the narratives of art history using the read-write web's interactivity and capacity for authoring and remixing. Publishers are adding multimedia to their textbooks, but unfortunately they are doing so in proprietary, password-protected adjunct websites. These are weak because they maintain an old model of closed and protected content, eliminating Web 2.0 possibilities for the open collaboration and open communities that our students now use and expect. 

In Smarthistory, we have aimed for reliable content and a delivery model that is entertaining and occasionally even playful. Our podcasts and screen-casts are spontaneous conversations about works of art where we are not afraid to disagree with each other or art history orthodoxy. We have found that the unpredictable nature of discussion is far more compelling to students, museum visitors and other informal learners than a monologue. When students listen to shifts of meaning as we seek to understand each other, we model the experience we want our visitors to have—a willingness to encounter the unfamiliar and transform it in ways that make it meaningful to them. We believe that Smarthistory is broadly applicable to our discipline and is a first step toward understanding how art history can fit into the new collaborative culture created by web 2.0 technologies.

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